Henry Graham Greene (Berkhamsted, Hertfordshire, 2 de octubre de 1904 – Vevey, Suiza, 3 de abril de 1991) fue un escritor, guionista y crítico británico, cuya obra explora la confusión del hombre moderno y trata asuntos política o moralmente ambiguos en un trasfondo contemporáneo. Fue galardonado con la Orden de Mérito del Reino Unido.
Greene consiguió tanto los elogios de la crítica como los del público. Aunque estaba en contra de que lo llamaran un "novelista católico", su fe da forma a la mayoría de sus novelas, y gran parte de sus obras más relevantes (p. e. Brighton Rock, The Heart of the Matter y The Power and the Glory), tanto en el contenido como en las preocupaciones que contienen, son explícitamente católicas.
En la entrevista de Yvonne Cloetta, publicada por Marie Francoise Allain, si bien declara su simpatía por el comunismo, admite su fracaso y su distancia en la realidad de las ideas teóricas proclamadas por sus seguidores.
Henry Graham Greene, OM, CH, (2 October 1904 – 3 April 1991) was an English writer, playwright and literary critic.[1] His works explore the ambivalent moral and political issues of the modern world. Greene was noted for his ability to combine serious literary acclaim with widespread popularity.
Although Greene objected strongly to being described as a Roman Catholic novelist rather than as a novelist who happened to be Catholic, Catholic religious themes are at the root of much of his writing, especially the four major Catholic novels: Brighton Rock, The Power and the Glory, The Heart of the Matter and The End of the Affair. Several works such as The Confidential Agent, The Third Man, The Quiet American, Our Man in Havana and The Human Factor also show an avid interest in the workings of international politics and espionage.
Greene suffered from bipolar disorder, which had a profound effect on his writing and personal life. In a letter to his wife Vivien, he told her that he had "a character profoundly antagonistic to ordinary domestic life", and that "unfortunately, the disease is also one's material". William Golding described Greene as "the ultimate chronicler of twentieth-century man's consciousness and anxiety." Greene never received the Nobel Prize in Literature, though he finished runner-up to Ivo Andrić in 1961.
Monsignor Quixote is a novel by Graham Greene, published in 1982. The book is a pastiche of the classic Spanish novel Don Quixote by Miguel de Cervantes with many moments of hilarious comedy, but also offers reflection on matters such as life after a dictatorship, Communism, and the Catholic faith.
Plot summary
Father Quixote, a parish priest in the little town of El Toboso in Spain's La Mancha region, regards himself as a descendant of Cervantes' character of the same name, even if people point out to him that Don Quixote was a fictitious character. One day, he helps and gives food to a mysterious Italian bishop whose car has broken down. Shortly afterwards, he is given the title of monsignor by the Pope, much to the surprise of his bishop who looks upon Father Quixote's activities rather with suspicion. He urges the priest to take a holiday, and so Quixote embarks upon a voyage through Spain with his old Seat 600 called "Rocinante" and in the company of the Communist ex-mayor of El Toboso (who, of course, is nicknamed "Sancho"). In the subsequent course of events, Quixote and his companion have all sorts of funny and moving adventures along the lines of his ancestor's on their way through post-Franco Spain. They encounter the contemporary equivalents of the windmills, are confronted with holy and not-so-holy places and with sinners of all sorts. In their dialogues about Catholicism and Communism, the two men are brought closer, start to appreciate each other better but also to question their own beliefs.
Quixote is briefly taken back to El Toboso, confronted by the bishop about his doings and suspended from service as a priest, but he escapes and sets out again with Sancho. In his last adventure, Father Quixote is struck down and wounded while attempting to save a statue of the Virgin Mary from hypocrites who are desecrating her by offering her up for money. Here may be a parallel between Dulcinea in Cervantes' novel and Monsignor Quixote's Lady for whom he would lay down his life. Quixote and Sancho are brought to a Trappist monastery where, sleepwalking and in delirium, Father Quixote rises from his bed at night, goes to the church, celebrates the old Tridentine Mass—all the time imagining he holds bread and wine in his hands—and then, in a last effort, administers communion to the Communist ex-mayor before sinking dead into his friend's arms.
El padre Quijote tenía motivos para temer a los obispos; era muy consciente de la gran antipatía que sentía por él su propio obispo, quien le consideraba poco más que un campesino, pese a su eminente antecesor.
—¿Cómo puede descender de un personaje de ficción?—había preguntado el obispo en una conversación privada de la que puntualmente fue informado el padre Quijote.
El hombre con quien el obispo conversaba contestó, sorprendido:
—¿Un personaje de ficción?
—Un personaje de una novela de un escritor sobrestimado que se llamaba Cervantes; más aún, una novela con muchos pasajes que en los tiempos del Generalísimo ni siquiera hubieran pasado la censura.
—Pero, Excelencia, ahí tiene usted la casa de Dulcinea en El Toboso. Allí lo tiene escrito en una placa: casa de Dulcinea.
—Un reclamo para turistas. Pero bueno —prosiguió el obispo ásperamente—, Quijote no es siquiera un patronímico español. Cervantes mismo dice que probablemente se apellidaba Quijada o Quesada, o incluso Quejana, y en su lecho de muerte el Quijote se llama a sí mismo Quijano.
—Veo que Su Excelencia ha leído el libro.
—Nunca he pasado del primer capítulo. Claro que, desde luego, he echado un vistazo al último. Eso suelo hacer con las novelas.
—Quizás algún antepasado del padre Quijote se llamaba Quijada o Quejana.
—Los hombres de esa clase no tienen antepasados.
[...]
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